and London Sinfonietta and at venues including Vienna’s Konzerthaus, London’s Southbank Centre and Barbican, and Katowice’s NOSPR Hall. Notable repertoire includes Salvatore Sciarrino's Il canto s'attrista, perché? and Bernhard Lang’s Hiob, (both world premieres in Klagenfurt), Philip Venables’ Denis and Katya (Amsterdam, Montpellier, London, Wales), Gerald Barry’s The Intelligence Park (Birmingham), and Mark-Anthony Turnage’s Greek (30th-anniversary production, London). 
In the 23/24 season, Tim makes house debuts at Semperoper Dresden with a new production of Powder Her Face and at Opera Australia conducting Brett Dean's Hamlet. He also returns to Stadttheater Klagenfurt to revive Sciarrino's Il canto, conducts the Kärntner Sinfonieorchester in a programme of Shostakovich and Prokofiev and takes on the musical direction of Georg Friedrich Haas' 11.000 Saiten in his return to Klangforum Wien.
He studied at Guildhall School of Music and Drama, New College, Oxford, and at the Jorma Panula Academy in Helsinki. As an assistant, he most recently worked with Vladimir Jurowski (Das Rheingold, LPO), Sir Donald Runnicles (Die Walküre, Deutsche Oper Berlin), Ivor Bolton (Rusalka, Teatro Real Madrid), Nicholas Carter (Brett Dean's Hamlet, Adelaide Festival), and Giancarlo Andretta (Le nozze di Figaro, Glyndebourne Festival).